War of the Worlds [Radio Adaptation] 1938 – Orson Welles Free Audiobook

Written by Orson Welles
Format: MP3
Bitrate: 64 Kbps
Unabridged

Some small static in the first few minutes and then clear for the rest. (62min)

The War of the Worlds is an episode of the American radio drama anthology series The Mercury Theater on the Air. It was performed as a Halloween episode of the series on October 30, 1938, and aired over the Columbia Broadcasting System radio network. Directed and narrated by actor and future filmmaker Orson Welles, the episode was an adaptation of H. G. Wells’s novel The War of the Worlds (1898).

The first two thirds of the 62-minute broadcast were presented as a series of simulated news bulletins, which suggested to many listeners that an actual alien invasion by Martians was currently in progress. Compounding the issue was the fact that the Mercury Theatre on the Air was a sustaining show (it ran without commercial breaks), adding to the program’s realism. Although there were sensationalist accounts in the press about a supposed panic in response to the broadcast, the precise extent of listener response has been debated, particularly since the show was not drawing a large share of the radio audience. Many more Americans were listening to Edgar Bergen; however, when Bergen’s opening comedy routine ended and gave way to a musical interlude, many people may have started turning the radio dial to see what else was on. Those people found a radio show that sounded like a real account of an alien attack. The show did issue a disclaimer at the beginning of the show, but the people tuning in late did not hear that announcement and so a small panic did occur.

In the days following the adaptation, however, there was widespread outrage in the media. The program’s news-bulletin format was described as cruelly deceptive by some newspapers (which had lost advertising revenue to radio) and public figures, leading to an outcry against the perpetrators of the broadcast and calls for regulation by the Federal Communications Commission. Despite these complaints—or perhaps in part because of them—the episode secured Welles’s fame as a dramatist.